I photographed the popular culture of the United States differently from American photographers. I saw the enormous vitality of the country. I didn’t see it as suffering. The urban photographers here took pictures that showed the negative side of the Depression, but my pictures show the almost bizarre, exotic qualities of the country. . . . I was seeing America with an outsider’s eyes – the automobiles, the speed, the freedom, the graffiti. . .
Mírame y sé color 