Zhang Jingna


Born 1988 in Beijing, Jingna lives and works in New York City.

A former rifle shooter, Jingna is a Commonwealth Games medalist and represented Singapore in numerous ISSF World Cups from 2002-2008. She was a student at Raffles Girl’s School and Lasalle College of the Arts until the age of 19, where she dropped out and self-published her first photobook, “Something Beautiful”.

In the years since, Jingna’s works have been featured on international editions of Vogue, Elle, and Harper’s Bazaar. Her solo exhibitions include galleries at The Arts House and Japan Creative Centre in Singapore, and group exhibits like “45 Frames from Photo Vogue” at Leica Gallery in Milan, and Clé de Peau Beauté’s 30th anniversary exhibition in Hong Kong.

Jingna was named Master Photographer of the Year by Master Photographers Association in 2007, Photographer of the Year at ELLE Awards Singapore in 2011, and was a recipient of the 7th Julia Margaret Cameron Award for Women Photographers in 2015. Her works are represented by Trunk Archive, world’s leading image licensing agency.

Jingna is currently teaching a course on artistic portrait photography with Learn Squared and producing the Motherland Chronicles artbook. In her free time, Jingna enjoys Go, Gundam, and reading.

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Yu Tsai


Yu Tsai travels between NY and LA and is truly a bicoastal photographer going where his talent is requested.

His inspirations are a compilation of his studies and his extensive travels to Africa, Europe, Asia and the Middle East. After changing direction from his scientific studies, Yu Tsai earned his Bachelor of Fine Arts degree from Art Center College of Design, Pasadena, CA where he discovered his passion for directing and design.

Yu Tsai has shot for iconic international brands such as Apple, Guess, Coca-Cola, Emporio Armani, Victoria’s Secret, and continues to work with his clients such as Guess, Sports Illustrated, FreeSoul, Pantene and Hickey Freeman.

He continues to shoot in the editorials arena; creating covers and stories with International magazines such as Harpers Bazaar Singapore, Vogue Thailand, Harpers Bazaar UK, Cosmopolitan US, Flaunt Magazine and Sports Illustrated.

His celebrity clients include actors Leonardo Dicaprio, Jessica Chastain, Bruce Willis, Jon Hamm, Anne Hathaway, Forest Whitaker, James Franco, Keira Knightley, Ewan McGregror, Melissa McCarthy, Chris Pine, Juliette Lewis, Idris Elba, Chloe Moretz, Ben Foster, Joseph Gordon-Levitt, Evan Rachel Wood, Zoey Deschanel, Chris Hemsworth, Mila Kunis, Daniel Radcliffe, Olivia Wilde, James Marsden, Aaron Paul, Noomi Rapace, Kristen Stewart, Leah Michele, Aaron Eckhardt, Elle Fanning, Aaron Johnson, Maya Rudolph, Zoe Saldana, James McAvoy, Christina Applegate, Jada Pinkett Smith, Cillian Murphy, and Ryan Gosling and musicians as diverse as Ringo Starr, Janet Jackson, Alicia Keys, Adam Levine, Katy Perry, P Diddy, Ke$ha and many more.

Russell Lee


The Russell Lee Collection

Eva Besnyö








Photographer and photojournalist Eva Besnyö was born in Budapest on April 29, 1910. Her father, Bernat Besnyö, a lawyer, was born in 1877 and killed in Auschwitz in 1944. Her mother Ilonka, née Kelemen, was born in 1883 and died in 1981. Raised in a liberal Jewish home, Eva grew up knowing both German and Hungarian. Her father’s wish that she continue studying after completing high school was not to her liking; she wanted to become a photographer. Thus in 1928 she began a two-year course of studies at the renowned József Pécsi Portrait, Advertising and Architecture Studio, where she also did her apprenticeship. In 1930 she decided to move to Berlin, metropolis of the avant-garde, not only in order to get away from home but also in order to leave the Hungary of the Horthy regime. Later she referred to her stay in Berlin as the most important period of her life, meaning that it laid the foundations not only of her photographic practice but also of her political awareness. She worked for a short time in the laboratory of the advertising photographer René Ahrlé until she found more interesting employment with the press photographer Dr. Peter Weller, for whom she did photoreportage on everyday themes. As was customary at the time, these appeared under his name in the Berliner Illustrirten Zeitung. When she was permitted to choose her own topics, she simply went out on the streets, where she always found what interested her. She became part of a circle of socially and politically engaged intellectuals and artists such as György Kepes, Joris Ivens, John Fernhout, Lászlo Moholy-Nagy, Otto Umbehr (Umbo), Robert Capa and others, attended the Marxist Workers’ Evening Courses, went to productions by Erwin Piscator and was fascinated by Russian film. In 1931 she seized an opportunity to become independent by establishing her own studio. Commissions and work for the Neofot Picture Agency brought her success, which was however soon interrupted: early on she became aware of the growing threat of National-Socialism and in the autumn of 1932 she decided to move to Amsterdam with her Dutch companion, the cameraman John Fernhout, with whom she lived until 1939. With the help of the artist Charley Toorop, she soon found her feet in Holland and the recognition she won by her exhibitions led to numerous commissions in the fields of photoreportage, portraits, fashion and architecture. In 1934 she became a member of the association of artists for the defense of cultural rights. In this capacity she participated in the association’s 1936 protest exhibition against the Berlin Olympic Games, the “Olympics under Dictatorship” and organized the internationally-oriented exhibition “Foto ’37” at the Stedelijk Museum in Amsterdam, intended to enhance awareness of photography as an art form.

After the capitulation of the Netherlands army in May 1940, as the conditions of Jews steadily deteriorated, Eva Besnyö was forbidden to engage in all journalistic activities. In 1942, when her sole source of income was a few private commissions, she went underground for two years. After the war she received numerous commissions for photo-documentation and remained professionally active, though she was now the mother of a son (born in 1945) and a daughter (born in 1948), fathered by the graphic designer Wim Brusse, from whom she separated in 1968. From 1970 to 1976 Eva Besnyö was active in the Dolle-Mina feminist movement for women’s rights and through her photographs became the chronicler of events. In 1980 she rejected the Ritterorden (knighthood) which was to have been bestowed on her by the Queen of the Netherlands. In 1999, in Berlin, the “grand old lady” of Dutch photography was awarded the Dr. Erich Salomon Award for her life’s work and at the end of the same year the Stedelijk Museum held an exhibition of her work.

Eva Besnyö died in Laren, Netherlands on December 12, 2002.

The Hutterites, David Vasilev

David-Vasilev (1)

To observe is to spend more time looking through the lens than photographing. That is how I catch elusive moments of reality in a single frame.

Growing up in a culturally mixed neighborhood in Stara Zagora, Bulgaria, defined me as a person and as a photographer. I’ve captured the raw human spirit in people distanced from society—the joy and sadness they feel just by surviving, alongside the simplicity we lack.

I follow my instincts without looking back, which has led me to fascinating places. I’ve visited forgotten parts of the United States, time capsules filled with pure instinct and the most archaic traces of human nature still intact.

In one excursion I visited the Hutterites—a German-speaking colony located in the prairies of the Dakotas. I felt their sincere hospitality instantly, even when they couldn’t understand why I was there to begin with or what photography even was. They maintained a humble existence that I wanted to preserve on film. With time, they got used to me being there, and my presence was gradually ignored. Only then did I witness and photograph their essence: the realness of their daily lives, creating a visual memory of this time and place.

I will never forget the children. One day a girl with curious eyes approached me quietly and asked, Have you seen the ocean?”

Ragnar Axelsson


Ragnar Axelsson has dedicated his career to the subsistence hunters, fishermen and farmers of the circumpolar area that live on the fringe of the habitable world. Since the early 1980’s he has travelled to the Arctic, documenting the lives of the Inuit hunters in Northern Canada and Greenland, the farmers and fishermen in the North-Atlantic region and the indigenous people of Northern Scandinavia and Siberia. His stories have appeared in print media publications such as Time magazine, Life, Stern, GEO, Polka, Wanderlust, Geographical and Newsweek, and are the subject of his major photography books: Faces of the North (2004 – republished in an extended version in 2015), Last Days of the Arctic (2010) and Behind the Mountains (2013). Behind his oeuvre is a strong conviction that the traditional culture of the Arctic people is disappearing and will not be able to resist the disrupting effects of larger forces of economy and climate change. In 2011 a documentary on his work was released, Last Days of the Arctic­ – Capturing the Faces of the North, produced by BBC4, NDR, ARTE and ITVS.

Axelsson’s three major photography series are narrative photo collections, spanning more than two decades each. In Faces of the North (2004) he focus on the lives of individuals in remote areas in the North, whereas in Last Days of the Arctic (2010) he contrasts the wider global context of climate change with stories of subsistence hunters in Greenland and Canada. In his latest series, Behind the Mountains (2013), Axelsson presents 100 photographs to draw together his 25-year-long engagement with a small community of farmers and their annual sheep round-up in the Icelandic highlands. The Faces of the North series was widely exhibited, including exhibitions at the Recontres d’Arles Photo Festival (2001) and Alfred-Ehrhardt-Foundation, Cologne (2005). The Last Days of the Arctic exhibition has been travelling around Europe since 2010 and has, among other venues, been shown in Reykjavík, Dublin, Bergen, Lübeck, Milan, London, Saarbrücken and Brussels.

Ragnar Axelsson was born in Iceland in 1958 and started his training as a photographer at the age of 16 in a traditional photographic atelier. At 18 he was already a staff photographer at the leading Icelandic newspaper, Morgunblaðið, and has ever since continued his lifelong documentation project on the fate of the people and nature of the North.

Gennadiy Chernomashintsev




Gennadiy Chernomashintsev was born on the 23 July 1968 in Donetsk (USSR) now Ukraine.When he was a child, didn’t ever think about photography. The first camera – range-finder ( ФЕД) FED, that was presented by father,delighted him but the feeling that really great pictures make you feel different then when you look at just usual photos was not really obvious. In future that feeling became more appreciable. The way to the photography as to the profession was roundabout one. Chernomashintsev studied in the еngeneering institute and dropped it, started to write poems, then music attracted him and he tried to compose and play guitar. At the age of 23 he became addicted to cinematography.

As a self-taught produser he shoot 3 hundred advertising spots and several short films and created a production company. Then quite unexpectedly for everybody at the age of 36 has decided to be a photographer.

Now he is working as a fashion photographer.

Christopher Rimme


In an attempt to articulate the visceral potency of Christopher Rimmer’s photography, the author, Tony Park said Rimmer’s work looked so deeply into Africa’s heart that you could almost feel the heat and taste the dust.

Christopher Rimmer was born in England an emigrated to South Africa as a child. He began taking photographs as a teenager with a plastic 35mm Hanimex camera. After immigrating to Australia in 1981, he studied photography formally, firstly under Werner Hammerstingl and then later at Rusden College under Paul Green. He graduated in 1991.

His critically acclaimed photographs of Africa have been widely published in media around the world. He has exhibited in group and solo shows both in Australia and in the United Kingdom, France, Germany, South Africa & the U.S. His work is represented in several corporate and notable private collections. He obtained an Excellence accreditation in the Federation International de l’Art photographique in 2009 and platinum in 2010 and in 2012 received an Honourable Mention at the Montargis National Contest in France. He is a member of the Royal Photographic Society and was shortlisted for British magazine B&W Photographer of the Year for his work in Southern Africa in 2011 and again in 2012.

In 2014 his work ‘Sign of Life’ was screened at Visa Pour L’Image, Perpignan in France and the Ankor Photographic Festival in Cambodia.

Christopher Rimmer’s most recent work, Amapondo, photographed on the east coast of South Africa, will be exhibited throughout 2015 at Art Expo New York, Jan Royce Gallery, Cape Town, Art Room 9, Munich, Art San Diego, Spectrum Miami and Jeff Makin Gallery in Melbourne, Australia.

Art Business News Magazine nominated Christopher Rimmer Top Artist to Watch in their 2015 summer edition.

A stunning collection by a talented photographer. Prepare for a journey not just to Africa but to an oasis of balance and beauty.
Tim Butcher – Author

Rimmer’s portraits are richly layered with potent cross-cultural symbolism, a fusion of South African and Western imagery and fundamentally emotive. They are also simply stunning, peaceful, even joyful works by a masterful photographer.
Dr. Shireen Huda – Art Gallery of New South Wales.

Alessandro Bergamini



Denis Dailleux



Born in 1958 in Angers, France.

Lives in Cairo. Imbued with his distinctive delicacy, Denis Dailleux’s photographic work appears calm on the surface, yet is incredibly demanding, run through by an undercurrent of constant self-doubt and propelled by the essential personal bond he develops with those (and that which) he frames with his camera.

His passion for people has naturally led him to develop portraiture as his preferred means of representing those whose true self he feels an urge to get closer to. Which he has, with actress Catherine Deneuve as well as with countless anonymous subjects from the slums of Cairo, working with the same discretion, waiting to get from his subjects what he is hoping they will offer him, without ever asking for it, simply hoping that it will happen. That is how he has patiently constructed a unique portrait of his beloved Cairo to create, with black and whites of exemplary classicism and colors of rare subtlety, the definite alternative to the heaps of cultural and touristic clichés which clutter our minds.

Christian Caujolle

Paz Errázuriz


Considerada una de las fotógrafas más destacadas de Chile, el trabajo de Paz Errázuriz tiene un especial compromiso con el retrato en blanco y negro, con el que explora diversos temas sociales, poniendo énfasis en los mundos y oficios más crudos de la sociedad chilena.

Tras estudiar Educación en el Cambridge Institute of Education (Inglaterra, 1966) y en la Universidad Católica de Chile (1972), empezó su formación como fotógrafa autodidacta, que perfeccionó en International Center of Photography de Nueva York en 1993. Desde entonces ha expuesto en Chile y el extranjero, y ha publicado diversos libros como El Infarto del Alma junto a Diamela Eltit, La Manzana de Adán junto a Claudia Donoso, Kawesqar: Hijos de la Mujer Sol, y una antología de su obra Paz Eráazuriz, fotografía 1982-2002. Asimismo, ha recibido el premio Ansel Adams (1995), otorgado por el Instituto Chileno Norteamericano de Cultura, el Premio a la Trayectoria Artística del Círculo de Críticos de Arte de Chile (2005) y el Premio Altazor (2005).