Born in Savona (Italy), 5 March 1976, Delfino lives in Albisola and works in Savona and Milan. Delfino’s approach to photography began in his youth. As a photographer and advertising creative in Italy for the last 12 years, Delfino also remains in close contact with the world of fashion and design. For Delfino, photography is a way to create images, a privilege once reserved only to painting. Instead of copying the world, images project the artist’s conscience, in a manner that is both timeless and without any specific spatial reference. His works are exhibited in galleries and museums in Italy and abroad.
Szymon Brodziak, born 1979 in Poland. Specializes in unconventional black and white advertising campaigns with personal approach.
Brodziak is an economy graduate taken over by passion for photography. After quitting family business, he worked in various advertising agenies, assisting in fashion and advertising shootings, which today are his main fields of professional activity.
Since 2006, Szymon Brodziak has obtained many international awards and honorable mentions, both for commercial and personal projects, including 4 Silver Medals at 2011 Prix de la Photographie Paris.
Szymon is also the prize-winner of Johnnie Walker Keep Walking Award for the constant fulfillment of dreams and the passion for setting new paths in the search of beauty. His photographs have been published in various fashion and lifestyle magazines, including international edtions of Playboy and Italian Vogue.
Langston Bowen is a creative based in New England focused on emotive storytelling through captivating imagery.
A fan of film since a young age, Langston aims to capture the essence of the moment within a frame like a movie still. With an eye for detail, his passion shines through when he looks through the camera from the shutter click to his meticulous editing and knack for dreamy and whimsical color palettes.
Langston is persistently creating a world of his own, one that only he has been gifted the ability to see.
Lucien Clergue, first photographer to be elected to the Académie des Beaux Arts in Paris, has published more than 75 books and numerous films. The artist’s life was made by encounters and friendships, his images of Picasso, Cocteau or St John Perse bear witness to these intimate exchanges between exceptional souls.Awaiting the opening of Lucien Clergue’s official website, please consider these pages as the only authorized website.Original photographs by Lucien Clergue are on sale at Galerie Patrice Trigano in Paris, and through this website. They are all silver gelatin prints, vintage or modern, numbered and signed by the artist, printed in his own studio in Arles (France).
Based near Lausanne on the shores of Leman Lake, Christian Coigny has for the past 30 years developed a career in traditional black and white photography in parallel to his work in publicity and fashion. He works primarily with film. His work is anchored in a classical education and strongly influenced by American painters such as Edward Hopper, Georgia O’Keefe or Andrew Wyeth, who he discovered during his 5-year stay in San Francisco. Very rapidly, important brands called him to transpose his personal mark onto their advertising campaigns. The poster advertising campaign for the department store Bon Genie Grieder, between 1975 and 1985 marked his return from the United States. His book of portraits of local artists earned him the Vitra «Celebrities» Campaign. Other photographic projects include work for clients such as Hermès, Krug Champagnes, Ferretti yachts and Hublot watches, and for many years he has participated in the creation of catalogues and of publicity campaigns for Chopard jewelers of Geneva.
He now devotes most of his time to his personal work whilst exhibiting at various galleries and museums in Europe.
Marc Lagrange, filled with longing and sensuality, Marc Lagrange’s photographs celebrate fantasies and desire—placing beauty and dreams at the center of his world. Lagrange was born in Kinshasa, Congo, in 1957. His career path led him from engineering to photography, and his creativity from fashion to art. Privileging analog over digital, the Antwerp-based Belgian artist searches for intimacy and emotion as opposed to artificial effects. His giant Polaroids—which have been exhibited worldwide—are a powerful example of his craft as well as his attention to detail: he can display the texture of skin, highlight natural curves and make his models stand out. Lagrange elaborates entire sets until he finds the exact mood he wishes to convey, with the end goal being to create the images he wants. From the color of the walls to the shape of a chair, every single detail counts, underlining Lagrange’s perfectionist streak and his willingness to unfold narratives.Throughout his career, Lagrange has photographed the same women over different periods of time, turning them into his muses. Inge Van Bruystegem—a striking model and talented dancer—is one of them. Lagrange has been working with her for more than fifteen years, developing a privileged relationship. The trust that has flourished between them over the years is quite rare in photography and still generates surprising results. Individuals who pose in front of Lagrange’s lens end up spontaneously performing and revealing more about themselves than they perhaps intended to. One thing Lagrange respects is the mystery and power of women: even fully nude, his models are confident and in control; real protagonists as opposed to passive figures.
Inhabiting a world of their own, Knop’s photographs radiate a boundless sensuality, time, space, and object seamlessly merge into one enhanced by a carefully restrained background, a timeless work of art emerges.
My name is Vivienne Mok, I am a photographer with a distinctive feminine and dreamy aesthetic style.
I also have a background in Fashion Design and previous working experience in the Fashion Industry.
I offer photographic services for designers, brands, models, artists, publishers, etc… with a personal approach.
Waclaw Wantuch Born 1965 in Tuchów. A graduate of the Cracow Academy of Fine Arts. The author of the book “Kamień Wawelski?”(The Wawel stone?) – Castor, Cracow 1992; director of the stage performance “Kamień, światło, dzwięk” (Stone, Light, Sound) Juliusz Słowacki Theatre in Cracow, 1992. He published the following photographic albums: Kraków (Sepia Collection, Cracow 2001); Akt (Bosz, Olszanica 2003); Kraków (Art Partner, Cracow 2003); Akt2 (Bosz, Olszanica 2006); Akty (Bosz, Olszanica 2010).
IN THE BEDROOM, is an intimate perspective of the space between the subconscious dreamworld and fantasy. Portrayed through the feminine archetype, this personal journey is a kaleidoscopic explosion of color and imagination interwoven and juxtaposed in the stillness of the environment.
The creative process of IN THE BEDROOM is a unique multi-layered technique producing an original one of a kind piece. All photographs are shot on film with the use of a medium format camera. The image is then printed and displayed in view for the collage to take form. The “dream” is revealed through the patience of time and the collection of imagery. Vintage and modern illustrations are layered between acrylic sheets, arranged and re-arranged until the finality of the piece is revealed. This subliminal expedition can take anywhere from a few days up to many months. Occasionally due to the anomaly of dreams, the absence of vision leaves a frame void of all imagination. The artistic intention derives not from cerebral contemplation but from the undercurrent of a sentimental world.
Kishin Shinoyama’s offerings from the 1960’s not only document a decade, but are also invaluable to any survey of Tokyo photography from that period. His work reveals much about the era, depicting snapshots of the student protest movement, fashion shows, dancers, avant-garde theatre troops and of course the nude shots that would subsequently form a major motif in his oeuvre.
1960’s Japan was a politically charged place experiencing rapid economic growth under the alliance with the United States. Politics, culture, society… this was the decade when ‘possibilities’ reached a critical point as contradicting elements were forced to react with one another. The photographs emerging from the Japanese capital during this period constitute the place where this metamorphosis occurred in the most radical way, and it was in the midst of this charged atmosphere that Shinoyama was taking his photographs.
The Sixties by Kishin are a vital record of how Shinoyama rediscovered and redefined photography. This was not by using photography to critique the era, as was the case with many of his contemporaries, but by bringing a criticality to the photograph itself. Inspired by the Apollo moon landing, Shinoyama’s Death Valley photographs were arranged completely by the artist, from the models to the location of the shoot. In the photographs he positions nudes of three different races in the frontier land of the desert, and by placing foreign bodies in the form of naked human figures in the landscape, displays a classic Shinoyama technique – that of highlighting the hidden meaning in a place. His work has a fearsome, non-reflective radicalism that has continued throughout his career and that defines his imagery since the 1960’s.
Kishin Shinoyama’s work is held in private and public collections worldwide.
Alice and Peter photographed beautiful women in the glamour and pin-up style for over sixty years. In fact, the New York Times named him “America’s No. 1 Pin-up Photographer.”
While best known for beautiful “pin-ups,” they also photographed children, numerous celebrities and the historic southern California beach lifestyle they lived. Many of the celebities they photographed were also their friends – Jayne Mansfield, Jonathan Winters, Muhammad Ali and Raquel Welch are among the people they captured on film.
Peter was sent to Germany as a photographer during WWII. His work during the war are a sublime contrast to the pin-ups he was known for. In addition, the Gowland team sold over 1000 magazine covers and photographed for Playboy and countless advertising campaigns. With their expertise, Peter and Alice traveled the world giving lectures on photography and wrote over 35 books and guides related to portrait and glamour photography.
Discontent with the cameras available, Peter branched out. He invented and sold 21 different kinds of cameras, the most popular being the Gowlandflex twin lens 4 x 5 still used by many professionals.
Peter was born into the Hollywood life, the son of English character actor Gibson Gowland and actress Sylvia Andrew. As a young man he spent many years on the sets working as a double and background actor. It was there that he first observed glamour lighting, which was the foundation for his future career.
From 1942-1945, Peter worked as an engineering cinematographer for North American Aviation, while he and Alice spent evenings and weekends taking portraits, speculative advertising photographs and creating “how to make” articles. In 1945 he was sent to Germany with the Air Force, where he was in charge of the photo lab at Furstenfeldbruck. During WWII, because pin-ups became popular with the Armed Forces, Alice sold some of their beach pin-ups as magazine covers while Peter was in the service.
After Peter was discharged in 1946, Peter and Alice built their first studio home in West LA with the help of a G.I. loan. In 1954 they moved into their Rustic Canyon home, designed by William F. Overpeck. The nearby beach became their perennial stomping ground. In its day, this State Beach was a vibrant gathering place teaming with life. They made many dear friends, and the photographs they took, from the mid-40s through the late-70s, bring to life the excitement and camaraderie of a time gone by.
In Salt + Sea, the artist intentionally places women in their most vulnerable form—naked—back into a natural environment in order to display their strength against the elements. The interaction between the two forces narrows the gap between society’s hackneyed constructs of women’s place in society and the unfailing honesty of the nude form– where her spirit can run free. The sand and rocks are representative of the harsh political environment, while the water demonstrates the more “fluid” nature of women.
In addition, the division between the latter symbolizes our current social and monetary disparity between women and men, and specifically, African American women. African American women are rarely seen on sand or sea due to the old paradigms of fear instilled by their ancestors. This fear not only disempowers, but suppresses a huge demographic of women in our country.
The ocean’s multi-faceted cycle has often been likened to the female temperament, a great force. Therefore it’s no surprise that salt, a vital element of the sea, has been referred to as feminine in numerous cultural mythologies as well as embodying healing properties. Therefore, it is imperative that we view women as the “salt” of our communities, the essential element needed in healing this antiquated imbalance.
The leading Belgian Fine Art photographer Frank De Mulder is a celebrated personality within the international photo scene. He has worked for large advertising campaigns and well-known magazines, including Playboy, FHM, GQ, Maxim and Elle.
De Mulder’s most intriguing work, however, are the intimate impressions of female emotions and beauty. De Mulder released 5 books with the renowned publishing group teNeues: SENSES (2007), PURE (2010), GLORIOUS (2013), HEAVEN (2015) and TRIBUTE (2017).
The images are never provocative, but they tend to balance on the edge of what is forbidden. That balance is what makes the photographs so powerful and interesting. De Mulder shows us the delicate sensual world of women—from fragile and emotional to flamboyant and erotic—always at the highest level of beauty.
Frank De Mulder was born 22 August 1963 in Ghent, Belgium. Already as a young boy he was fascinated by image, light and beauty. He got his first camera from his father at the age of 12. At 17 he started to copy the pictures of David Hamilton, invested all his pocket money in photo equipment and learned by books the world of light and photography. He studied film direction at RITS in Brussels and continued his studies in Ghent at the Royal Art Academy, where he graduated cum laude. Frank did his army service in the cinematography division where he made several “war movies” for military trainings.
He started his career as cameraman and director of photography in several short movies and commercials. At the age of 29 he decided photography was his real passion. Since then, he worked his way up to become a worldwide celebrated photographer, represented by teNeues Publishers. At his side there is always Michèle van Damme, his associate. “It takes two to tango”. Michèle is responsible for art direction and digital postproduction. Together they built in total 3 studios, the third one in Merelbeke near Ghent.
Dani Olivier is a French photographer. He lives and works in Paris. This website features his experimental photographic work from 2014 to 2015.
Dani Olivier creates his effects at the time of the shoots, by projecting complex images and intricate light patterns on his models. He never touches up the originals.
The models are nude. They do not wear enhancing accessories. Their make up is minimal.
The pictures are taken with a black background. There are no artifacts: just the models and the light projection. The projections are either abstract or figurative.
The final composition is always surreal.
Dani Olivier’s abstract and psychedelic nudes are his exclusive creations. They confer a new dimension and innovative approach to the art of nude photography.
You can also discover his new projects photos on his facebook page: Dani Olivier
The wet plate, aka collodion, photographic process dates from 1851, having been invented by Frederick Scott Archer, an English sculptor. Archer did not seek a patent on his process, and in fact “died in extreme poverty.” An obituary described him as “a very inconspicuous gentleman, in poor health.”
There are two “types” of wet plate photography — ambrotype and tintype. An ambrotype, which was described by Archer, is based on glass, and a tintype is based on metal.
All of the images on this site are tintypes — a piece of blackened aluminum over which the image is created in silver, and over which a varnish is placed to protect the fragile image from physical harm (eg, scratches) and tarnishing (changes to the silver due to exposure to chemicals found in the environment).
I’ve used three cameras, a half-plate box-style camera (made by Ty Guillory), an 8×10 bellows-style camera (made by Black Art Woodcraft), and a 16×20 Chamonix. I use “period” lenses, , i.e., from 1850 to 1900, manufactured by Dallmeyer, Voigtlander, and Ross.
Ruth Bernhard was born in Berlin in 1905, and studied at the Berlin Academy of Art. After moving to New York in 1927, she began a career in commercial photography. Almost a decade later, she met Edward Weston, whose compelling images convinced her that photography was indeed a creative medium. In 1953, Bernhard moved to San Francisco where she continued to live and pursue her many photographic interests. Bernhard is associated with the history of Northern California’s wealth of eminent photographers, among them Edward Weston, Ansel Adams, Imogen Cunningham, Dorothea Lange, and Minor White. In a career spanning more than seven decades, she created an imposing body of work. Distinguished by their exquisite use of light, her images have been internationally recognized and acclaimed by her peers. Radiant still lifes and nude forms reflect her passionate search for the universal connection of all things. Bernhard’s work has been exhibited and included in the permanent collections of major museums and universities in the United States, Europe, Japan, and Mexico, and has been published worldwide.