Ana F. Martín

Ever since I was a little girl, photography has been part of my life. I remember the first type of cameras I used with nostalgia, those point-and-shoot with a film roll I took myself to the photography shop to be developed and checked what the photographs looked like. Nowadays, all of that has been lost with digital technology but I still look back to those childhood days where I discovered a true passion.
As I grew up, my interest on photography kept growing with me, however I never thought of it as a professional career, maybe because of the pressure of parents and society, so I ended up studying a Bachelor Degree in Tourism Management at the University of Granada in Spain, so photography remained a hobby I liked to practice at any chance I had. I decided to study that particular degree because I have always loved to travel to new places and discovered other cultures by the hand of local people. I think the world is too big and interesting to only stay in the same place for my whole life. Keeping that idea in mind, I have lived in Italy and London for a long period of time while travelling around Europe.
My period living in London opened my mind to a quite new level I never experienced before. The spare time I had from work I used it to develop my senses by going to museums, galleries and every kind of artistic performance which could help me take the step to change my passion about photography into a professional career.
The type of photography I discover to like the most and, most importantly, that I think adjusts better to my own style and personality is the one showing the daily life and common things happening around us all the time without noticing in an artistic point of view. I believe we all have a particular way of seeing the world and I truly think is the duty of a photographer to “freeze” that moment, give it soul and meaning, show it and try to open the eyes of those who are too busy to look around, especially these days we are living now.

Home

Anders Beer Wilse

Norwegian photographer Anders Beer Wilse (1865-1949) has played an important part in the shaping of Norway’s national self-image. He is perhaps most famous for documenting Norway’s landscape and its natural and urban life, but he also worked as a photographer for many major Norwegian companies – among them Norsk Hydro.

Pentti Sammallahti

 

Sammallahti’s photographs take the viewer beyond everyday experience into a wistfully enchanting world. Regardless of where on the globe Sammallahti goes – Finland, Russia or France – there is a gentle humour in his gaze. In Sammallahti’s universe things that are considered unimportant become significant, while the essentials are discovered through acutely experiencing the world. Dogs stretching and doves dozing, the rhythms of a Roma market, or children in clothes that are too big for them – all well-aimed shots in the hunt for decisive moments. Sammallahti represents an alternative to the frenetic rhythms of contemporary life and to the adulation of rapid change

Apart from being a world-travelling photographer, Sammallahti is an immortaliser of his home city of Helsinki. Although the place has changed and grown over the decades, Helsinki-ites will recognize in these pictures the dampness, the wind and the mist coming in from the sea that are part of the scene in autumn and winter.

Sammallahti is one of the first Finnish photographers to have carried out his entire life’s work as a photographic artist. As a craftsman who emphasizes the knowledge and skill of the photographer in taking photographs, making photographic prints, and printing photographs using photomechanical processes. Along with individual pictures, Sammallahti has made thematic portfolios. His breakthrough work, Cathleen Ní Houlihan – An Irish Portfolio from 1979, took its name from a figure in an Irish folk tale. It marked a new opening for photographic art that accentuated the tonality of the pictures and the photographer’s own inner experience. He taught for a long time at the University of Art and Design in Helsinki, where he and his workgroups created a culture of high-quality photographic printing and printing using photomechanical processes. The retrospective exhibition includes his original photographic prints, graphically printed portfolios and contemporary digital prints.

Metro, Stan Raucher

The B Train at 42nd St, Manhattan

Line 4 near Les Halles, Paris

Line 1 near People’s Square, Shanghai

Tren Ligero near La Noria, Mexico City

Line 2 at Montesanto, Naples

Metro 1 near Swietokrzyska, Warsaw

Blue Line at Noida City Center, Delhi

Brighton Beach Station, Brooklyn

Line 8 near Aculco, Mexico City

Metro 3 Deák Ferenc Tér Station, Budapest

Atlantic Ave MTA Station, Brooklyn

Line 2 near Lujiazui, Shanghai

Line 2 at Klabin, São Paulo

Belleville Metro Station, Paris

I’m intrigued by observing ordinary people going about their daily activities in public spaces in countries and cultures around the world. Glimpses of the human condition emerge as individuals interact with one another and their surroundings. An expressive gesture, a telling glance, a concealed mood or hidden emotion may suddenly materialize and then vanish in a split-second. Such ephemeral events are often overlooked or quickly forgotten. My photographs capture these fleeting moments as evocative, richly-layered images that invite the viewer to generate their own personal narratives. At a time when fewer of the images that we see on a routine basis are honest representations of real life, my candid photography opens a window to the world that actually surrounds us here and now.

Home

Light urban rain, Martin U Waltz

Martin’s work is about the human element in urban space. He explores the underlying emotions in the city between existential angst, boredom and joy. Martin is a keen observer of the fragility and transiency in urban life. In his street photography Martin emphasizes the contrast between the soft fluid human shape and the hard and static fabric of city infrastructure. Martin uses strong geometrical compositions, still he thinks of his photography as associative and poetic.

 

Barbara Klemm

Barbara Klemm is a German press photographer who worked for Frankfurter Allgemeine Zeitung for 45 years. She photographed many of the most important events in recent German history and has received honors including Fellowship of the Academy of Arts, Berlin and the Pour le Mérite, and she was inducted into the Leica Hall of Fame in recognition of her status as “a driving force in reportage photography” and as “an exemplary photographer”.

Chris Suspect

The son of a diplomat, Chris Suspect was born in the Philippines in 1968. He is a street and documentary photographer hailing from the Washington, DC area. He specializes in capturing absurd and profound moments in the quotidian. His street photography work has been recognized internationally and has been exhibited in Miami, Belgium, Germany, Italy, Romania, Georgia and the United Kingdom. His documentary work on the underground music scene in Washington, D.C., was published as a book, Suspect Device, by Empty Stretch in 2014 and was a featured exhibit at the Kolga Tblisi Photo Festival 2015 in Tblisi, Georgia. This same project was also featured in the Leica Galerie at Photokina 2014 in Koln, Germany. The work is currently held in the Leica Galerie Archives.

In the last year, Suspect won the StreetFoto San Francisco competition for street series, FotoWeek DC’s competition for Photographer’s Choice series, and Exposed DC’s annual photography competition. He was also a finalist in the Miami Street Photography Festival Miami Photo Series. In previous years he was shortlisted for the International Street Photography Awards (UK) and named the winner of the Washington City Paper’s 2014 Photography Contest. Previously Suspect served as a judge for the Miami Street Photography festival during Miami Art Basel (2013), he won Photo District News’ “The Scene” contest for music photography (2013) and received an honorable mention in the Chicago Photographic Society’s first annual street photography contest (2013).

Suspect’s work has been featured in the Huffington Post, Photo District News, LFI Magazine and on the Leica Camera Blog. He also has published photographs in the Washington Post, Washington City Paper, CNN, The Atlantic, Forbes and many other media outlets in the US, Germany, Canada and Brazil.

Felix Lupa

Seven years have elapsed since the moment I realized that the photographs I had been posting on the net were Street Photographs. No doubt I would have missed this wonderful genre, had it not been for my late exposure to the internet. So I decided to adopt it whole-heartedly. Picture by picture it has revealed to me how amazing the street is: full of thrilling human experiences in every corner, alleyway, and neighborhood, all places where people are to be found.

Seven years have elapsed and I still hurry to the street like a little boy to his playground. The desire to pass every free moment in this playground has not faded with the passage of time. The street is my playground, and people in it are my playthings. The street has its own rules and the passers-by are my unconscious partners in the game. In my game I strive to capture the people and arrange them in various compositions, some more or some less sophisticated that will fit in with my ideas, with the pictures I see in my imagination. It is my imagination that insists on a personal style, the fingerprint unique to each photographer.

The workspace of the street photographer consists of constantly changing population groups. They are continuously on the move, changing day by day, each one having its own purpose and target. Coping constantly with this human flux, and mastery of the language of each group (at times even of a single individual) are necessary if you want to understand people’s behavior and the rules that shape it. A lot of time, patience, and a great deal of contact with different, strange, people are necessary until one acquires the ability to maneuver successfully in the street, inside people’s private territory. Unique ways of seeing, the ability to analyze a situation and react quickly to it, are the tools the street photographer carries with him. His or her personality, experience, intelligence and approach to life are the main weapons in the street. The game here is not a competition between two teams: it is you against the rest of the world, alone but not lonely. You are equipped with that small box, containing the most outstanding collection of playthings in the world.

It is twenty-seven years since I got my first magic box, and it is only now that I have come to realize that all those years have been a long preparation for what still lays ahead, what I have not yet done. Each kilometer I have travelled, each shoe I have worn out, each person I have gotten to know, each picture I have taken, everything I looked for, found, thought, understood, all these and more are the corner-stones on which my street photographer’s personality is built. This personality is what we street photographers bring with us to the playground of street photography. It is with this personality, and only with it, that we confront the rest of the world, with only a little box equipped with an eye of polished glass separating us from the world. Through this magical eye we look at the world, trying to understand it, analyze it, react to it with the intuition unique to each of us, according to our particular view of the world, expressing ourselves through and by it. And she, the camera, is doing her best to capture for us those wonderful magical moments, brought in front of us by our personal traits and imaginations, and that the street in its generosity brings forward and presents to us. No matter what we call this dream catcher, admit that you too have been captured by its magic, and the sweet music of the shutter.

Home

Nils Jorgensen

Home

Ibarionex Perello

 

Ibarionex Perello is a photographer, writer, educator and host of The Candid Frame Photography podcast. He has over 25 years of experience in the photographic industry.

In his role as host and producer of The Candid Frame, he provides frank, insightful interviews with some of the industry’s top established and emerging photographers. The popular show has featured guests including Jay Maisel, Joel Meyerowitz, Pete Turner, Lynn Goldsmith and Gerd Ludwig and enjoys a following among photo enthusiasts from all over the world. The weekly program is consistently ranked among the top programs of its type.

Ibarionex is also the author of 5 books including: Chasing the Light: Improving Your Photography Using Available Light, 5D Mark III From Snapshot to Great Shots, and Adobe Master Class: Photoshop. He is also the co-author of Visual Stories: Behind the Len with Vincent Laforet and Road to Seeing with Dan Winters.

His photographs and articles have appeared in numerous publications and websites including Digital Photo Pro, Outdoor Photographer, Rangefinder, Shutterbug, Popular Photography, DP Review and Scott Kelby’s Light It magazines.

He an adjunct professor at the Art Center College of Design as well as an instructor at the online photography school, Better Photo.

Aydın Büyüktaş

Aydın Büyüktaş, who was born in Ankara in 1972, dropped out form Bilkent University Tourism Management Department because it was not his future dream. After moving to Istanbul in 2000’s, he took charge in many awarded movies and advertising drives, while he is working for avant-garde companies such as Sinefekt and Makinefx after having improved himself in the fields of visual effect, 3D, animation and video. He started to give priority to freelance works after his character, which was designed by him in the form of 3D in 2008, gained international popularity. While he interested in Photography, he also has been continuing his academic education at the department of photography of Mimar Sinan Fine Arts University since 2012.

Danny Lyon

Danny Lyon is a photo-journalist, writer and filmmaker.

Among his many books are The Bikeriders, Conversations with the Dead, and Knave of Hearts. His latest non-fiction book is Like A Thief’s Dream, PowerHouse Books. Daniel Joseph Lyon was born in Brooklyn , New York on March 16, 1942. Roosevelt was President. World War Two was on going in Europe, Africa and Asia. Segregation was the law of the land in 13 southern states. Native Americans were not allowed to purchase alcohol in New Mexico. Most blacks could not or did not vote in the deep south. Lyon attended NYC public schools in Kew Gardens and Forest Hills, Queens, and in 1959 bought his first camera, an Exa SLR in Munich, Germany during a summer trip, then entered the University of Chicago, where he eventually majored in philosophy and ancient history. In 1963 he became The Student Non-violent Coordinating Committee’s (SNCC) first photographer . Danny Lyon’s photographs are in Museums and collections through out the world. His most recent one man show was at the Whitney Museum of American Art in New York City. He regularly shows at the Edwynn Houk Gallery in NYC.

My black and white past, Julien Legrand

Home

Frank Guiller

Photography for-tells stories synonymous with our own primal, intrinsic desires to dive in and implicate, merge, and experience our external environments. The pause that holds us silently whilst observing opens doors that capture untold stories only we could conquer. Images filter constructs of rapacious emotional rapture. Visual stimulation impacts the exploration of the psyche through the processes of association thus hurdling emotions, voyeurism, pity, rage , lament. All of these perhaps, visionary in one stillness. A pause conveying all possibility. Rank Uiller

Berlín, Martin U Waltz

 

 

Martin’s work is about the human element in urban space. He explores the underlying emotions in the city between existential angst, boredom and joy. Martin is a keen observer of the fragility and transiency in urban life. In his street photography Martin emphasizes the contrast between the soft fluid human shape and the hard and static fabric of city infrastructure. Martin uses strong geometrical compositions, still he thinks of his photography as associative and poetic.

His work draws inspiration from many sources beyond the world of photography: literature with the work of J.P. Sartre, Paul Bowles and Michel Houellebecq, painting between Rembrandt, Hopper and Penck, poetry with Baudelaire, Benn and Celan, movies from “The Third Man” to the work of Jim Jarmush and Wong Kar-wai and the recent “Victoria” and tv series like “The Wire” and “Fargo”.

Home

A moment alone, Julien Legrand

Julien Legrand is a photographer. Born in 1979 in the North of France, he graduated in webdesign and graphic design. He is the founder of the international collective VIVO and member of the French collective FRAGMENT. In 2012, he has the opportunity to present his work at the Miami Street Photography Festival and in 2016 he is among the finalists of the International Street Photography Awards in San Francisco.

Julien Legrand’s interest in street photography comes from his passion for skateboarding which gave him the opportunity to move freely through the streets of his city, linger and become a privileged observer of the many strange or amazing events taking place there. Skateboarding is also a pretext for appropriating the urban landscape for the skateboarders own purposes. The skateboards themselves, with their decorations, helped to inspire Julien Legrand’s taste for graphic compositions of street art. A violent fall, however, forced him to put a brake on this activity, he now pursues his urban exploration through photography.

Julien Legrand is never without his camera. “Photography is an obsession for me, it accompanies me every day like a faithful old friend, it is a kind of therapy that allows me to put aside my anxiety.” His everyday and candid photos mainly feature passers-by. Inspired by photographers such as Gueorgui Pinkhassov, Harry Gruyaert, Alex Webb, Ernst Haas or Garry Winogrand, Julien Legrand explores the boundary between urbanization and nature and questions the relationship of the individual to his environment.

Streets of the world, Valérie Jardin

 

 

 

Photography changed my life. The day I picked up a camera I became a storyteller. I learned to see the extraordinary in everyday life. And my passion for documenting humankind has led me to find beauty in the most unlikely of places. As a visual storyteller, photographic images are how I tell these stories. Chasing light is my desire, my obsession, my addiction.

Chasing Light.  The camera is an extension of my vision. It captures what I see. Images help me tell the story of the light I chase in the urban landscapes I visit. Every time I make an image, I capture a moment in time that will never occur again. Each frame I shoot becomes extraordinary in its uniqueness. The people. The architecture. The light. The shadows. When they come together, they form the stories of the cities that I want to show my students.

Telling Stories.  My love of humankind drives me to wander the city streets tirelessly to capture the candid moments of daily life. These are the everyday moments most people would not see. These are the moments I want to find and tell.

I thrive on searching and waiting for just the right moment when a story unfolds in a single frame; where context and subject intersect with me there, honored to tell its story to the world. And I am happiest when I get lost on purpose, and let the city reveal its magic to me. The urban landscape is always surprising me with the new stories that unfold throughout the day and into the night.

With this, photography continues to change my life.

Home

La Havane , Jean-Pierre Favreau

Jean Pierre Favreau was born in 1940 and has grown in La Rochelle. He lives in Paris since 1962.

From 1970 to 1980, he travelled around the world : United States, South America and South East of Asia.

After 1980, the traveller gave the way to the photographer, as he choose to focus his attention on people in the urban environment. Quite a few years later, part of his work was integrated in a book named Incertaines cités (Uncertain cities) , published by Filigranes in 1997.

In 1982, he was given a grant by the French Ministry of Culture to do a photographic work on New York.

From 1985 to 1991, he stayed regularly in Cap Vert. In 1990, his photos were exhibited in the building of the french newspaper Le Monde in Paris then in the Contrejour gallery in Paris too which published his book Blues Outremer (Overseas Blues) in 1991 . The same year the photos of Cap Vert were shown at the Sevilla World Fair.

As a regular contributor to Le Monde, he worked on several special editions, among them one about France which became the subject of an exhibition held in 1992.

From 2001 to 2009, he continued his work on the subject of man in Japenese cities. He started a work on China in 2005, until 2012.

2013, PASSAGERS, first monograph, was published at Five Continents Éditions and his work was shown in Paris at 6 Mandel Gallery.

Frank Guiller

Photography for-tells stories synonymous with our own primal, intrinsic desires to dive in and implicate, merge, and experience our external environments. The pause that holds us silently whilst observing opens doors that capture untold stories only we could conquer. Images filter constructs of rapacious emotional rapture. Visual stimulation impacts the exploration of the psyche through the processes of association thus hurdling emotions, voyeurism, pity, rage , lament. All of these perhaps, visionary in one stillness. A pause conveying all possibility.

Rank Uiller

Valérie Jardin

Photography changed my life. The day I picked up a camera I became a storyteller. I learned to see the extraordinary in everyday life. And my passion for documenting humankind has led me to find beauty in the most unlikely of places. As a visual storyteller, photographic images are how I tell these stories. Chasing light is my desire, my obsession, my addiction.

Chasing Light.

The camera is an extension of my vision. It captures what I see. Images help me tell the story of the light I chase in the urban landscapes I visit. Every time I make an image, I capture a moment in time that will never occur again. Each frame I shoot becomes extraordinary in its uniqueness. The people. The architecture. The light. The shadows. When they come together, they form the stories of the cities that I want to show my students.

Telling Stories.

My love of humankind drives me to wander the city streets tirelessly to capture the candid moments of daily life. These are the everyday moments most people would not see. These are the moments I want to find and tell.

I thrive on searching and waiting for just the right moment when a story unfolds in a single frame; where context and subject intersect with me there, honored to tell its story to the world. And I am happiest when I get lost on purpose, and let the city reveal its magic to me. The urban landscape is always surprising me with the new stories that unfold throughout the day and into the night.

With this, photography continues to change my life.

Home