Ibarionex Perello is a photographer, writer, educator and host of The Candid Frame Photography podcast. He has over 25 years of experience in the photographic industry.
In his role as host and producer of The Candid Frame, he provides frank, insightful interviews with some of the industry’s top established and emerging photographers. The popular show has featured guests including Jay Maisel, Joel Meyerowitz, Pete Turner, Lynn Goldsmith and Gerd Ludwig and enjoys a following among photo enthusiasts from all over the world. The weekly program is consistently ranked among the top programs of its type.
Ibarionex is also the author of 5 books including: Chasing the Light: Improving Your Photography Using Available Light, 5D Mark III From Snapshot to Great Shots, and Adobe Master Class: Photoshop. He is also the co-author of Visual Stories: Behind the Len with Vincent Laforet and Road to Seeing with Dan Winters.
His photographs and articles have appeared in numerous publications and websites including Digital Photo Pro, Outdoor Photographer, Rangefinder, Shutterbug, Popular Photography, DP Review and Scott Kelby’s Light It magazines.
He an adjunct professor at the Art Center College of Design as well as an instructor at the online photography school, Better Photo.
Aydın Büyüktaş, who was born in Ankara in 1972, dropped out form Bilkent University Tourism Management Department because it was not his future dream. After moving to Istanbul in 2000’s, he took charge in many awarded movies and advertising drives, while he is working for avant-garde companies such as Sinefekt and Makinefx after having improved himself in the fields of visual effect, 3D, animation and video. He started to give priority to freelance works after his character, which was designed by him in the form of 3D in 2008, gained international popularity. While he interested in Photography, he also has been continuing his academic education at the department of photography of Mimar Sinan Fine Arts University since 2012.
Danny Lyon is a photo-journalist, writer and filmmaker.
Among his many books are The Bikeriders, Conversations with the Dead, and Knave of Hearts. His latest non-fiction book is Like A Thief’s Dream, PowerHouse Books. Daniel Joseph Lyon was born in Brooklyn , New York on March 16, 1942. Roosevelt was President. World War Two was on going in Europe, Africa and Asia. Segregation was the law of the land in 13 southern states. Native Americans were not allowed to purchase alcohol in New Mexico. Most blacks could not or did not vote in the deep south. Lyon attended NYC public schools in Kew Gardens and Forest Hills, Queens, and in 1959 bought his first camera, an Exa SLR in Munich, Germany during a summer trip, then entered the University of Chicago, where he eventually majored in philosophy and ancient history. In 1963 he became The Student Non-violent Coordinating Committee’s (SNCC) first photographer . Danny Lyon’s photographs are in Museums and collections through out the world. His most recent one man show was at the Whitney Museum of American Art in New York City. He regularly shows at the Edwynn Houk Gallery in NYC.
Photography for-tells stories synonymous with our own primal, intrinsic desires to dive in and implicate, merge, and experience our external environments. The pause that holds us silently whilst observing opens doors that capture untold stories only we could conquer. Images filter constructs of rapacious emotional rapture. Visual stimulation impacts the exploration of the psyche through the processes of association thus hurdling emotions, voyeurism, pity, rage , lament. All of these perhaps, visionary in one stillness. A pause conveying all possibility. Rank Uiller
Martin’s work is about the human element in urban space. He explores the underlying emotions in the city between existential angst, boredom and joy. Martin is a keen observer of the fragility and transiency in urban life. In his street photography Martin emphasizes the contrast between the soft fluid human shape and the hard and static fabric of city infrastructure. Martin uses strong geometrical compositions, still he thinks of his photography as associative and poetic.
His work draws inspiration from many sources beyond the world of photography: literature with the work of J.P. Sartre, Paul Bowles and Michel Houellebecq, painting between Rembrandt, Hopper and Penck, poetry with Baudelaire, Benn and Celan, movies from “The Third Man” to the work of Jim Jarmush and Wong Kar-wai and the recent “Victoria” and tv series like “The Wire” and “Fargo”.
Julien Legrand is a photographer. Born in 1979 in the North of France, he graduated in webdesign and graphic design. He is the founder of the international collective VIVO and member of the French collective FRAGMENT. In 2012, he has the opportunity to present his work at the Miami Street Photography Festival and in 2016 he is among the finalists of the International Street Photography Awards in San Francisco.
Julien Legrand’s interest in street photography comes from his passion for skateboarding which gave him the opportunity to move freely through the streets of his city, linger and become a privileged observer of the many strange or amazing events taking place there. Skateboarding is also a pretext for appropriating the urban landscape for the skateboarders own purposes. The skateboards themselves, with their decorations, helped to inspire Julien Legrand’s taste for graphic compositions of street art. A violent fall, however, forced him to put a brake on this activity, he now pursues his urban exploration through photography.
Julien Legrand is never without his camera. “Photography is an obsession for me, it accompanies me every day like a faithful old friend, it is a kind of therapy that allows me to put aside my anxiety.” His everyday and candid photos mainly feature passers-by. Inspired by photographers such as Gueorgui Pinkhassov, Harry Gruyaert, Alex Webb, Ernst Haas or Garry Winogrand, Julien Legrand explores the boundary between urbanization and nature and questions the relationship of the individual to his environment.
Jean Pierre Favreau was born in 1940 and has grown in La Rochelle. He lives in Paris since 1962.
From 1970 to 1980, he travelled around the world : United States, South America and South East of Asia.
After 1980, the traveller gave the way to the photographer, as he choose to focus his attention on people in the urban environment. Quite a few years later, part of his work was integrated in a book named Incertaines cités (Uncertain cities) , published by Filigranes in 1997.
In 1982, he was given a grant by the French Ministry of Culture to do a photographic work on New York.
From 1985 to 1991, he stayed regularly in Cap Vert. In 1990, his photos were exhibited in the building of the french newspaper Le Monde in Paris then in the Contrejour gallery in Paris too which published his book Blues Outremer (Overseas Blues) in 1991 . The same year the photos of Cap Vert were shown at the Sevilla World Fair.
As a regular contributor to Le Monde, he worked on several special editions, among them one about France which became the subject of an exhibition held in 1992.
From 2001 to 2009, he continued his work on the subject of man in Japenese cities. He started a work on China in 2005, until 2012.
2013, PASSAGERS, first monograph, was published at Five Continents Éditions and his work was shown in Paris at 6 Mandel Gallery.
Born on October, 5th 1984 in Cagliari, Sardinia (Italy).
At a very young age he started to draw focusing solely on the black and white creations.
The monochrome has quickly became his natural habitat when he has encountred the world of Photography.
Thanks to some of his masters, especially Elliott Erwitt and Richard Kalvar, he promptly met what is now generally called “street photography”.
In 2014, he left Sardinia and moved to Bologna in the Italian mainland where he currently lives and works.
Sze Tsung Nicolás Leong is a British-American artist, born in Mexico City in 1970, and currently based in New York and Los Angeles.
Leong’s work includes the series Cities, a detailed depiction of urban formations throughout the globe, from medieval towns to recent constructions, that together form a picture of the world at this particular moment in time at the beginning of the twenty-first century; Horizons, an international collection of images of natural terrains and urban landscapes that considers the relationships between far and near, foreign and familiar; and History Images, which examines the erasure of history and the reshaping of society through the built environment.
Works from these series are included in the permanent collections of the Metropolitan Museum of Art and Museum of Modern Art in New York, the Victoria and Albert Museum in London, the San Francisco Museum of Modern Art, the National Galleries of Scotland, the National Gallery of Canada, the Museum of Fine Arts, Houston, and the Yale University Art Gallery, among others.
She was born in Ostrava in the family, who came from Austrian Galicia, from Lvov, in the period after the October Revolution.
She studied dance from early childhood. Tamara enrolled in the study with a focus on classical ballet. She studied also modern dance. At the school she got general knowledge from other artistic disciplines (visual arts, architecture, music). In addition to interesting encounters with the world culture in the Ostrava she often traveled and worked with great professionals of foreign ballet elite (she met and worked with celebrities, such as: Serge Lifar, Boris Bregvadze, Aleksandr Lemberg and many more.)
Afterwards Tamara decided to extend her education. She successfully did test GITIS (The Russian University of Theatre Arts). Despite of all interventions, unfortunately she couldn´t go to Moscow due to the political situation. After the Velvet Revolution she took advantage of the favorable political situation and she expanded her education in JAMU (Janáček Academy of Performing Arts).
After studies, she became a soloist in the Moravian-Silesian National Theatre Ballet ensemble where she was interpreting great roles of leading ballet repertoire. She has an excellent talent to affect the psychology of the characters and she is able to endow the heroine of a deep inward experience, along with high aesthetics and technique of dance (Anna Karenina and Carmen, Svanilda of Coppélia).
She was awarded by several major awards. She was nominated for Dance best performance prize Thálie. She was also a professor at the Janacek Conservatory in Ostrava. Later on she worked also as ballet master in the same theater. She applied her experience from the dance field also as a choreographer. She also worked with the opera ensemble of the The National Moravian-Silesian Theatre in Ostrava.
She started to work also as photographer during the collaboration with the theater. Like in their dance roles, in her pictures she tends to show non-violent way of human emotions and dramatic situations of everyday people life. She strongly inclines to show the beauty and humanity. She exhibits her photographs awarded by prestigious foreign prizes at home and abroad. She is a member of the International Media PRESS and member of the Dance Council CID UNESCO
Lukas Vasilikos started photography in 2006.He lives and works in Athens.Lukas is a member of the “Depression Era” team of artists and writers that record the Greek crisis and he participated in an exhibition that took place in March 2014 at Palais de Beax Arts (Bozar), Belgium and in DUPON gallery part of Mois de la Photo a Paris in November 2014. He is also a member of the international collective “street-photographers” and the “Photography Circle”.
Viktor Kolář was born in 1941 in Ostrava. His father, a self-taught filmmaker and photographer, was the owner of a photo studio and photo shop, which was one of the important factors that led his young son to photography In 1953, he began taking his first photographs, and soon familiarized himself with the works of renowned photographers, particularly Henri Cartier-Bresson. From 1960 to 1964, he studied at the Photographic Institute in Ostrava. After that, he taught at an elementary school. From the second half of the 1960s, he decided to devote himself fully to photography. At the same time, he met and befriended the photography theorist Anna Fárová and her husband, painter Libor Fára. In 1964, Kolář presented his works at his first solo exhibition. In October 1968, after the Warsaw Pact invasion of Czechoslovakia, he emigrated to Canada,where he worked as an assistant in the molybdenum mines and as a worker in the nickel smelters in Manitoba. In Canada and the USA, Kolář met with photographers Michael Semak, William Ewing and Cornell Capa. In 1973, however, he returned to Czechoslovakia through Paris and London. His return to the communist country was questioned by state authorities and Kolář was interrogated by police on several occasions. As a former emigrant (and therefore considered unreliable by the regime), he gradually lost the possibility to work as a photographer. At the time of deep “normalization”, he worked as a laborer in Nová Huť Steelworks However, he covertly continued his photographic documentation of the Ostrava region. In 1985, he was allowed to devote himself to free-lance photography. In 1994, after the Velvet Revolution, he began to teach documentary photography at FAMU in Prague, where he was appointed Associate Professor (in 2000).
Photographer from Cologne, Germany. Finding the darkness in life, to see the light.
“Photography is not for the satisfaction of others. Neither is it some kind of responsibility or mission. It is a means to fill a personal void.”
John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer, and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artefacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881.