Chris Suspect

The son of a diplomat, Chris Suspect was born in the Philippines in 1968. He is a street and documentary photographer hailing from the Washington, DC area. He specializes in capturing absurd and profound moments in the quotidian. His street photography work has been recognized internationally and has been exhibited in Miami, Belgium, Germany, Italy, Romania, Georgia and the United Kingdom. His documentary work on the underground music scene in Washington, D.C., was published as a book, Suspect Device, by Empty Stretch in 2014 and was a featured exhibit at the Kolga Tblisi Photo Festival 2015 in Tblisi, Georgia. This same project was also featured in the Leica Galerie at Photokina 2014 in Koln, Germany. The work is currently held in the Leica Galerie Archives.

In the last year, Suspect won the StreetFoto San Francisco competition for street series, FotoWeek DC’s competition for Photographer’s Choice series, and Exposed DC’s annual photography competition. He was also a finalist in the Miami Street Photography Festival Miami Photo Series. In previous years he was shortlisted for the International Street Photography Awards (UK) and named the winner of the Washington City Paper’s 2014 Photography Contest. Previously Suspect served as a judge for the Miami Street Photography festival during Miami Art Basel (2013), he won Photo District News’ “The Scene” contest for music photography (2013) and received an honorable mention in the Chicago Photographic Society’s first annual street photography contest (2013).

Suspect’s work has been featured in the Huffington Post, Photo District News, LFI Magazine and on the Leica Camera Blog. He also has published photographs in the Washington Post, Washington City Paper, CNN, The Atlantic, Forbes and many other media outlets in the US, Germany, Canada and Brazil.

Dennis Cox

Dennis Cox is an award winning travel photographer who has photographed in over 100 countries on all seven continents. He markets his stock photography from his own agency, ChinaStock/WorldViews, as well as through Alamy, Getty Images, ImageBrief, and other outlets worldwide.

Home

Ibarionex Perello

 

Ibarionex Perello is a photographer, writer, educator and host of The Candid Frame Photography podcast. He has over 25 years of experience in the photographic industry.

In his role as host and producer of The Candid Frame, he provides frank, insightful interviews with some of the industry’s top established and emerging photographers. The popular show has featured guests including Jay Maisel, Joel Meyerowitz, Pete Turner, Lynn Goldsmith and Gerd Ludwig and enjoys a following among photo enthusiasts from all over the world. The weekly program is consistently ranked among the top programs of its type.

Ibarionex is also the author of 5 books including: Chasing the Light: Improving Your Photography Using Available Light, 5D Mark III From Snapshot to Great Shots, and Adobe Master Class: Photoshop. He is also the co-author of Visual Stories: Behind the Len with Vincent Laforet and Road to Seeing with Dan Winters.

His photographs and articles have appeared in numerous publications and websites including Digital Photo Pro, Outdoor Photographer, Rangefinder, Shutterbug, Popular Photography, DP Review and Scott Kelby’s Light It magazines.

He an adjunct professor at the Art Center College of Design as well as an instructor at the online photography school, Better Photo.

Debbie Caffery

Caffery has been making photographs of the people and culture of her native Louisiana for over 30 years. Past projects include documentation of sugarcane field and mill workers, alligator hunting, and family portraits in Louisiana, as well as photographs of rural Mexico and Portugal. She will soon publish a new book documenting prostitution in Mexico. Caffery’s work has been included in solo exhibitions at the Smithsonian Institution’s National Museum of American History, Cleveland Museum of Art, Museum of Photographic Arts in San Diego, Chicago’s Museum of Contemporary Photography, and the Gitterman Gallery, New York.

She has received numerous awards including a Guggenheim Fellowship (2005), the first Lou Stoumen Prize (1996), and the Louisiana Governor’s Art Award (1990). Her work is included in the permanent collections of many museums, including the Smithsonian Institution, Whitney Museum of American Art, the Museum of Modern Art, the Metropolitan Museum of Art, and the New Orleans Museum of Art. Caffery has published several highly praised books, including Polly, The Shadows, and Carry Me Home.

Home

Arnold Newman

 

Arnold Newman is acknowledged as one of the great masters of the 20th and 21st century and his work has changed portraiture. He is recognized as the “Father of Environmental Portraiture.” His work is collected and exhibited in the major museums around the world including the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The Chicago Art Institute; The Los Angeles Museum of Art; The Philadelphia Museum; The Tate and the National Portrait gallery, London; The Israel Museum, Jerusalem; and many other prominent museums in Europe, Japan, South America, Australia, etc.

Newman was an important contributor to publications such as New York, Vanity Fair, LIFE, Look, Holiday, Harper’s Bazaar, Esquire, Town and Country, Scientific American, New York Times Magazine, and many others. There are numerous books published of Newman’s work in addition to countless histories of photography, catalogues, articles and television programs. He received many major awards by the leading professional organizations in the U.S. and abroad including the American Society of Media Photographers, The International Center of Photography, The Lucie Award, The Royal Photographic Society Centenary Award as well as France’s “Commander of the Order of Arts and Letters.” In 2005, Photo District News named Newman as one of the 25 most influential living photographers. In 2006, Newman was awarded The Gold Medal for Photography by The National Arts Club. He is the recipient of nine honorary doctorates and has lectured and conducted workshops throughout the country and the world.

Arnold Newman died on June 6, 2006 in New York City. He was 88 years old.

Danny Lyon

Danny Lyon is a photo-journalist, writer and filmmaker.

Among his many books are The Bikeriders, Conversations with the Dead, and Knave of Hearts. His latest non-fiction book is Like A Thief’s Dream, PowerHouse Books. Daniel Joseph Lyon was born in Brooklyn , New York on March 16, 1942. Roosevelt was President. World War Two was on going in Europe, Africa and Asia. Segregation was the law of the land in 13 southern states. Native Americans were not allowed to purchase alcohol in New Mexico. Most blacks could not or did not vote in the deep south. Lyon attended NYC public schools in Kew Gardens and Forest Hills, Queens, and in 1959 bought his first camera, an Exa SLR in Munich, Germany during a summer trip, then entered the University of Chicago, where he eventually majored in philosophy and ancient history. In 1963 he became The Student Non-violent Coordinating Committee’s (SNCC) first photographer . Danny Lyon’s photographs are in Museums and collections through out the world. His most recent one man show was at the Whitney Museum of American Art in New York City. He regularly shows at the Edwynn Houk Gallery in NYC.

Melodie McDaniel

Melodie McDaniel is a still life, celebrity, advertising photographer and film director.

Melodie’s first professional job was album artwork for Suzanne Vega, which received critical praise and led to further work with such musical artists as Smashing Pumpkins, Mazzy Star, Cat Power, Pharrell Williams, and Lily Allen. She went on to direct music videos, including clips for Annie Lennox, Blonde Redhead, Patti Smith, and Madonna. Melodie signed with The Directors Bureau in 2002. Melodie has since worked on spots for Chevy, Toyota, Vodafone, Zune, and Nike.

Melodie McDaniel continues to maintain a dual career in commercials/music videos and still photography.

Melodie McDaniel has shot editorially for Nylon Magazine, Giant Magazine, Elle, Vogue, Spin Magazine, Dazed & Confused, Interview, 10 Magazine, Jane Magazine, Details and Lula Magazine.

She has photographed celebrities including as Lily Allen, Ludacris, Pharrell Williams, Rihanna, Ryan Gosling, Carrie Underwood, Rob Machado, Robin Tunney.

She also the music video: “Carnival” with Natalie Merchant

Gordon Parks

Gordon Parks was an American photographer, musician, writer and film director. He is best remembered for his photographic essays for Life magazine and as the director of the 1971 film, Shaft.

Gordon Parks was one of the seminal figures of twentieth century photography. A humanitarian with a deep commitment to social justice, he left behind a body of work that documents many of the most important aspects of American culture from the early 1940s up until his death in 2006, with a focus on race relations, poverty, Civil Rights, and urban life. In addition, Parks was also a celebrated composer, author, and filmmaker who interacted with many of the most prominent people of his era—from politicians and artists to celebrities and athletes.

Born into poverty and segregation in Kansas in 1912, Parks was drawn to photography as a young man when he saw images of migrant workers published in a magazine. After buying a camera at a pawnshop, he taught himself how to use it and despite his lack of professional training, he found employment with the Farm Security Administration (F.S.A.), which was then chronicling the nation’s social conditions. Parks quickly developed a style that would make him one of the most celebrated photographers of his age, allowing him to break the color line in professional photography while creating remarkably expressive images that consistently explored the social and economic impact of racism.

When the F.S.A. closed in 1943, Parks became a freelance photographer, balancing work for fashion magazines with his passion for documenting humanitarian issues. His 1948 photo essay on the life of a Harlem gang leader won him widespread acclaim and a position as the first African American staff photographer and writer for Life Magazine, then by far the most prominent photojournalist publication in the world. Parks would remain at Life Magazine for two decades, chronicling subjects related to racism and poverty, as well as taking memorable pictures of celebrities and politicians (including Muhammad Ali, Malcolm X, Adam Clayton Powell, Jr., and Stokely Carmichael). His most famous images, such as Emerging Man, 1952, and American Gothic, 1942, capture the essence of activism and humanitarianism in mid-twentieth century America and have become iconic images, defining their era for later generations. They also rallied support for the burgeoning Civil Rights Movement, for which Parks himself was a tireless advocate as well as a documentarian.

Parks spent much of the last three decades of his life expanding his style, conducting experiments with color photography. He continued working up until his death in 2006, winning numerous awards, including the National Medal of Arts in 1988, and over fifty honorary doctorates. He was also a noted composer and author, and in 1969, became the first African American to write and direct a Hollywood feature film based on his bestselling novel The Learning Tree. This was followed in 1971 by the hugely successful motion picture Shaft. The core of his accomplishment, however, remains his photography the scope, quality, and enduring national significance of which is reflected throughout the Collection. According to Dr. Henry Louis Gates, Jr., Director of the W.E.B. Du Bois Research Center at Harvard University, “Gordon Parks is the most important black photographer in the history of photojournalism. Long after the events that he photographed have been forgotten, his images will remain with us, testaments to the genius of his art, transcending time, place and subject matter.”

Jack Radcliffe

Home

Streets of the world, Valérie Jardin

 

 

 

Photography changed my life. The day I picked up a camera I became a storyteller. I learned to see the extraordinary in everyday life. And my passion for documenting humankind has led me to find beauty in the most unlikely of places. As a visual storyteller, photographic images are how I tell these stories. Chasing light is my desire, my obsession, my addiction.

Chasing LightThe camera is an extension of my vision. It captures what I see. Images help me tell the story of the light I chase in the urban landscapes I visit. Every time I make an image, I capture a moment in time that will never occur again. Each frame I shoot becomes extraordinary in its uniqueness. The people. The architecture. The light. The shadows. When they come together, they form the stories of the cities that I want to show my students.

Telling StoriesMy love of humankind drives me to wander the city streets tirelessly to capture the candid moments of daily life. These are the everyday moments most people would not see. These are the moments I want to find and tell.

I thrive on searching and waiting for just the right moment when a story unfolds in a single frame; where context and subject intersect with me there, honored to tell its story to the world. And I am happiest when I get lost on purpose, and let the city reveal its magic to me. The urban landscape is always surprising me with the new stories that unfold throughout the day and into the night.

With this, photography continues to change my life.

Home

Wayne Chinnock

Raised in Tucson Arizona by a mechanical engineering father who loved Mexican food and an amazing bread baking mom, Wayne always had a fondness for the kitchen. His father was also an avid photographer with an in-home darkroom; cameras became instinctual to use by Wayne from childhood into adult life.

Wayne started in the service industry just two days after turning sixteen which became an extended career putting him through college and helping him to travel to 40+ countries. He spent time in the front-of-the-house in restaurants, hotels and catering companies in addition to many hours in the kitchen working the grill and dessert stations. There is almost no position he hasn’t done in the restaurant biz. The service industry has taken him to San Francisco, Dublin, Nantucket, New York and Philadelphia to name a few. He will admit that the energy is infectious.

After all the years of restaurant work coupled with teaching English abroad and acquiring a degree in Psychology (he also spent over 100 hours in the darkroom at the Creative Photography Center at the University of Arizona) Wayne decided to finally settle down with his wife Melodie in the Boston area and put all his energy into photography. He has been creating images full time for more than 10 years. All the while his experience within the service industry and in the kitchen has endeared him to chefs, creative directors, restauranteurs, executives and many more.

Whether he is photographing for a renowned chef, documenting medical relief in Haiti, showcasing the beauty of a new interior space or creating images in the studio, Wayne’s obsession with providing not only a great final product, but a great customer service based experience, is always evident.

Home

Harold Feinstein

Harold Feinstein was born in Coney Island in 1931. When he passed away in 2015, the New York Times declared him: “One of the most accomplished recorders of the American experience.”

He began his career in photography in 1946 at the age of 15 and within four short years, Edward Steichen, an early supporter, had purchased his work for the permanent collection of the Museum of Modern Art (MoMA). He joined the Photo League at 17 and became a prominent figure in the vanguard of the early New York City street photography scene where he exhibited at Helen Gee’s Limelight Gallery and was a designer for historic Blue Note Records. He was one of the original inhabitants of the legendary “Jazz Loft,” which he later turned over to his long-time collaborator and colleague W. Eugene Smith for whom he designed the original lay-out of the famous Pittsburgh Project. Their association prompted this statement from Smith:

He is one of the very few photographers I have known, or have been influenced by, with the ability to reveal the familiar to me in a beautifully new, in a strong and honest way.

Courage, Steve McCurry

I learned that courage was not the absence of fear, but the triumph over it.

The brave man is not he who does not feel afraid, but he who conquers that fear.

Nelson Mandela

Home

Imogen Cunningham

Imogen Cunningham occupies a singular position in the history of American art of the twentieth century. For over half the history of photography, she explored- with innovation and a new perspective- all the major traditions associated with the medium as fine art.

Cunningham has been most widely acclaimed for the photographs made during the 1920s and 1930s, particularly close-up images of plants and nudes. She also made portraits which are now considered classics in photography, including images of Alfred Stieglitz, Spencer Tracy, and Martha Graham.

She was a founding member of the West Coast-based Group f.64, which championed an un-manipulated, direct approach with the camera, or “straight” photography. Her photographs are represented in major collections and museums around the world.

Here are some links for more information

Rick Gallina

I love portraiture. But perhaps more, I love exploring unknown places and stumbling across an interesting person and setting. I have been fortunate enough to randomly meet kind people who were generous enough to allow me to photograph them. Some of my favorite examples of these instances are below

Home

Valérie Jardin

Photography changed my life. The day I picked up a camera I became a storyteller. I learned to see the extraordinary in everyday life. And my passion for documenting humankind has led me to find beauty in the most unlikely of places. As a visual storyteller, photographic images are how I tell these stories. Chasing light is my desire, my obsession, my addiction.

Chasing Light.

The camera is an extension of my vision. It captures what I see. Images help me tell the story of the light I chase in the urban landscapes I visit. Every time I make an image, I capture a moment in time that will never occur again. Each frame I shoot becomes extraordinary in its uniqueness. The people. The architecture. The light. The shadows. When they come together, they form the stories of the cities that I want to show my students.

Telling Stories.

My love of humankind drives me to wander the city streets tirelessly to capture the candid moments of daily life. These are the everyday moments most people would not see. These are the moments I want to find and tell.

I thrive on searching and waiting for just the right moment when a story unfolds in a single frame; where context and subject intersect with me there, honored to tell its story to the world. And I am happiest when I get lost on purpose, and let the city reveal its magic to me. The urban landscape is always surprising me with the new stories that unfold throughout the day and into the night.

With this, photography continues to change my life.

Home

Dennis Mecham

I am, for the most part, self-taught. I can be very focused and can be very patient. I have a strong sense of perseverance which has helped immensely. The art form in which I had more formal training was music. I have found it to be a great asset in the photographic journey. Music requires a devotion and discipline which helps me daily in my photography.

Music, too, requires the merging of artistic expression and musical craft. You have to be both an artist and a technician. Photographers have a distinct advantage over musicians.

If you don’t practice your instrument every day, your skills can diminish noticeably. That doesn’t happen if you don’t take photographs for a few days. Because of the necessity for that mind/body interface, music is more demanding.

Describing my work through words seems rather crude compared to images. Words always qualify an experience that always falls short, with the exception of poetry. I think my work expresses what we are all doing. Finding our place in this life and to experience it on the fullest level possible. We are all searching to discover who we are, which I believe is the main purpose of existence.

With many of my images the concept is fixed in my mind as to what I want to achieve; the composition is there. I always leave room for spontaneity and surprises. I’m not very good at taking snapshots. Though I can take advantage of spontaneity, there has to be some main idea of what I am trying to achieve before I work on it or I burn up a lot of film and never achieve anything.

Home

Estevan Oriol

Estevan Oriol is an internationally celebrated professional photographer, director and urban lifestyle entrepreneur. Beginning his career as a hip-hop club bouncer turned tour manager for popular Los Angeles-based rap groups Cypress Hill and House of Pain, Estevan’s passion for photography developed while traveling the world. With an influential nudge and old camera from his father, renowned photographer Eriberto Oriol, Estevan began documenting life on the road and established a name for himself amid the emerging hip-hop scene.

Nearly 20 years later, Oriol’s extensive portfolio juxtaposes the glamorous and gritty planes of LA culture, featuring portraits of famous athletes, artists, celebrities and musicians as well as Latino, urban, gang, and tattoo counterculture lifestyles. He has photographed Al Pacino, Robert Dinero, Dennis Hopper, Marissa Miller, Kim Kardashian, Kanye West, Snoop Dogg, Floyd Mayweather, and Lance Armstrong amongst others. He has also produced shoots for internationally-acclaimed photographers such as Ellen von Unwerth for Sang Bleu and Luca Babini for GQ Italy.

In addition to shooting campaigns for companies including Cadillac, Nike and Rockford Fosgate and directing new media projects for My Cadillac Stories, MetroPCS, MTV and Apple, Estevan has designed album covers and/or directed music videos for artists including Eminem, Cypress Hill, Blink 182, Snoop Dogg and Xzibit.

Erin Mulvehill

My work aims to explore the human connections and subtle nuances that whisper into the ear of our every day. much of my work is rooted in the ideas of mind, body, seamlessness, and time. this is largely because my deepest beliefs lie in the principles of buddhism, the integration of art and life, and the preservation of beautiful moments. i am nomadic by nature and am inspired each day by the nothingness that resides in all things.

Home

Mark Seliger

 

 

Mark Seliger was born in Amarillo, Texas in 1959, where he lived with his parents, Maurice and Carol Lee, and his two older brothers and younger sister, until 1964, when they moved to Houston. Seliger’s early interest in photography began when his brother Frank promised to give him his Diana camera if he got a base hit in Little League. He didn’t get the hit, but he got on base (by getting a walk for getting hit in the shoulder with the ball), and the camera was his. His first love quickly became the darkroom where he began experimenting with printing and developing in the family’s bathroom. He attended Houston’s High School for Performing & Visual Arts and, from there, went on to attend East Texas State University, where his education began in earnest, as he studied the history of documentary photography. He moved to New York City in 1984. In 1987, he began shooting small assignments for Rolling Stone. He was signed as their Chief Photographer in 1992. During his time at Rolling Stone, Seliger shot over 125 covers and began a long term collaborative relationship with Design Director, Fred Woodward, which continued into their work with GQ. They have co-directed numerous music videos for artists such as Willie Nelson, Lenny Kravitz and Elvis Costello. In 2001, Seliger moved from Rolling Stone to Condé Nast. He shoots frequently for Vanity Fair, Elle, Italian Vogue, L’Uomo Vogue and German Vogue. In 2011, he co-founded a non-profit exhibition space for photography with Brent Langton called 401 Projects, which has featured shows for James Nachtwey, Eugene Richards, Albert Watson, Platon, among others. Seliger continues his love of the darkroom by using the platinum palladium process to create large-scale, 30”x40” prints, and his photographs have been exhibited in museums and galleries. He has published numerous books, including: On Christopher Street: Transgender Stories (Rizzoli, 2016), Listen (Rizzoli, 2010), Mark Seliger: The Music Book (teNeues, 2008), In My Stairwell (Rizzoli, 2005), Lenny Kravitz/Mark Seliger (Arena, 2001), Physiognomy (Bullfinch, 1999) and When They Came to Take My Father – Voices from the Holocaust (Arcade, 1996). Seliger is the recipient of such esteemed awards as: Alfred Eisenstaedt Award, Lucie Award, Clio Grand Prix, Cannes Lions Grand Prix, and ASME’s. In 2017, Seliger’s work became a part of the permanent collection of the National Portrait Gallery at the Smithsonian Institution in Washington, DC.

 

Home