Iana Tokarchuk

I was born in the USSR. Currently I live and work in Kiev, Ukraine. My childhood was marked by immersion in art, as I painted ceaselessly from a very young age. At some point I also began writing short stories and plays. This made me pay particular attention to narration in any visual art I do, as an image always tells a story (or stories) to its spectator.

When I was 14 my father gave me and my sister cameras as a present, and by the age of 18 I firmly decided that this is what I want to associate my life with. For 5 years I have been working in fashion photography with my twin-sister, but now we work mostly separately.

Recently I started experimenting with filmmaking and diversifying into different genres of photography.

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Yulia Napolskaya

 

I am not a good writer, so I express myself in pictures. In photography, there are artists, there are traders, there are singers of the female body, there are masters of horrors, as touch me — I am a clown. I like to amuse people and to propose them small puzzles. My spectators invented the name of the my art direction -“scenic photoart” and they are right. My works are mainly the stories, tales and anecdotes. The photo should carry some sort of message and not just a pretty picture. It is Great Art to be able to express own thoughts through visuals so that its could be clear to spectators. Laugh and irony, it is the most direct and effective way to deliver serious thought to the most people. Humor will save the world

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Boris Bugaev

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Karina Marandjian

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Karen Abramyan

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Alexander Petrosyan

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After taking up photography in the year 2000, Alexander Petrosyan realized that, in order to truly understand the world around him, he must first try to capture it through the camera lens, something at which he has continuously succeeded. Petrosyan finds true joy in exploring and portraying his subjects in innovative ways, photographing not only the beautiful but also the grotesque aspects of life.

Working for My District magazine from 2003 to 2008, Petrosyan became a true professional, able to accurately present the three-dimensional with only two dimensions, and to illuminate the infinite levels of his environment in a single photograph.

At present,  Petrosyan is a staff photographer for “Kommersant” (http://www.kommersant.ru/), where he continues to push the limits of his surroundings, proving that there is something extraordinary about even the most, seemingly, ordinary aspects of life.

Constantine Gedal

Born in the snows of no-man’s land Constantine liked to spend hours looking into the ice, that’s how some say he’s got his name (meaning stable, permanent) though others suggest that he was just a schizophrenic. Fleeing Tartar-Mongol invasion, Gedal moved to Europe, where he became good friends with Savonarola, with the later he went to the Holy Land. Though Savonarola was sent right away, Constantine was allowed to stay for a while to learn local traditions and languages.
Having heard of the preparations of the new crusade he departed for Koeln to arrive there a month too late to prevent a campaign that later proved to be disastrous. But his journey was not all in vain. In the Northern Europe
he got involved in an art movement that was to become known as Flemish Art. During that time he was a regular guest at Van Eyck’s and Van der Goes’s.

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Igor Koshelev


Follow me:

https://www.instagram.com/koshelev.photo/
https://500px.com/jackvodogrei
https://www.facebook.com/igorkoshelevphoto/

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Gueorgui Pinkhassov

Pinkhassov’s interest in photography began while he was still at school. After studying cinematography at the VGIK (the Moscow Institute of Cinematography), he went on to work at the Mosfilm studio and then as a set photographer.

In 1978 Pinkhassov joined the Moscow Union of Graphic Arts and obtained the status of an independent artist. His work was noticed by the prominent Russian filmmaker Andrei Tarkovsky, who invited Pinkhassov to the set to make a reportage about his film ‘Stalker’ (1979).

Pinkhassov moved permanently to Paris in 1985. He joined Magnum Photos in 1988. He works regulary for the international press, particularly for Geo, Actuel and the New York Times Magazine. His book, Sightwalk, explores individual details, through reflections or particular kinds of light, often approaching abstraction

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Viacheslav Potemkin

Occupation: Project Manager, photographer
Location: Moscow, Russia
I want to share with you the view through my camera and the great results that I accomplished in the last few years.
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Dmitriy Plyusnin

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Ilya Rashap

Ilya Rashap was born in Russia in 1979. Beyond just a mimetic function, he tries to photograph something which does not exist. Aesthetics are important but it is not enough for the photograph to be beautiful. Whether a landscape or a portrait, a good photograph should be above all a metamorphosis of reality and appeal to the viewer’s imagination

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Sasha Gusov

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Andrey Yakovlev, Lili Aleeva

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Igor Amelkovich

Hi, I’m Igor Amelkovich. I live in Chelyabinsk, which is in southern Ural mountains in Russia. I studied radio engineering at the South Ural State University. From 1985 to 1987 I served in the Soviet army, near Vladivostok on the Pacific coast by the Chinese border. Photography has been my focus since 1999.I didn’t held a camera in my hands before and I’m self-taught. My work is film-based and I use Hasselblad 503CW and three Carl Zeiss lenses, Planar 80/2,8 and Sonnar 150/4 and Distagon 50/4.

I have two photo passions: landscapes and nude. For me woman is a nature’s concentrated form of beauty. I like to photograph self-assured subjects, ones who are comfortable sharing their beauty.

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Dmitry Ageev

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Anka Zhuravleva

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Anka was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999.
After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies. Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money.
In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a week-end in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts. In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people.
Anka’s first exhibition took place on a local TV channel live on the air – the studio was decorated with her works.
Several exhibitions followed.
Private collections in Russia and abroad feature her paintings and sketches.

In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography.
Since that time Anka took part in numerous projects -magazine’s publications and covers, book and CD covers, exhibitions.
She engage digital photo art and analog film photography as well.
In 2013 Anka with her husband moves to live in Porto, Portugal.

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Anton Belovodchenko

More info: 500px | Instagram | Pinterest | Deviantart (h/t: 500px)

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Alexander Prischepov

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Alexey Bednij

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